New musical instruments that sense, understand, and perform.

We build intelligent instruments and creative computing systems at the Australian National University School of Computing, then take them on stage as both a research method and a creative output.

See our performances Join the lab

Yichen Wang and Charles Martin performing 回溯 with intelligent instruments at NIME 2026, London
回溯 (Retrace): Co-constructing a Dual Feedback Apparatus · NIME 2026 musical program, 2026

Our lab develops new musical instruments that sense and understand music, actively assisting musicians during performances. We apply computational intelligence, AR/VR, and sonic interaction design in creative contexts, and explore how creative computing can inform studies of collaboration, spatial interaction, and decision making.

Latest news

Human-Centred and Creative Computing courses in 2027

8 November 2026

Planning your 2027 enrolment? Here are the four core Human-Centred and Creative Computing (HCCC) courses that the lab and our colleagues in the ANU School of Computing are teaching next year. We have a short trailer to introduce them:

Read more · All posts and events

Research areas

We apply research methods from human computer interaction, signal processing, and creative arts. In all of our work, creative interaction is used as a critical research method and as a medium for producing unique outputs.

Musicians playing networked touchscreen musical instruments together

Collaborative interfaces

New ways for groups to make music together. Our touchscreen musical instruments communicate interactions over a network and engage performers in new kinds of ensemble interaction.

Performer using freehand gestures with a spatial AR/VR musical instrument

Spatial interaction

Spatial musical apps for AR/VR computers. We experiment with new freehand gestures in AR and have deployed a spiral-shaped keyboard in collaborative music experiments and artistic performances.

Spectrogram of AI-generated sound

Generative sound

AI-generated sound could change the way we make music. We developed a singing-voice synthesis approach with more accurate duration predictions, and now work on text-to-sound generation models.

EMPI, a portable musical robot with a one-dimensional interface, responding to a performer

Intelligent interfaces

Instruments that predict human musical interactions. We model embodied musical interactions, the movements of performers. Prototypes include EMPI, a portable musical robot with a 1-dimensional interface.

On stage

All performances

Members

See also our lab alumni and former students.

Teaching

Charles and other SMCClab members teach several courses at the ANU, including:

Recent posts

All posts and events

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